Gordon Bennett. ), 210. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. This is the third major survey show to consider the breadth of Bennetts work and should not be missed. In 1998, ten years after his death, Bennett wrote an open letter to Basquiat that explained his motivations: To some, writing a letter to a person posthumously may seem very tacky and an attempt to gain some kind of attention, even steal your crown. Bennett's art practice is interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. It is anything but. In Gordon Bennetts splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word mono in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a monoculture. 120 x 80cm The former emerges from a Klansman conical shroud, the gears of his brain communicating directly with those of his subordinate comrade, like the mechanisms of a ventriloquists doll. I was drawn once again to the semiotic Forms and styles of representation recur, transmute and metamorphose across his oeuvre in a dizzying fashion. Gordon Bennett (1955 -2014) was an Australian artist of Aboriginal and Anglo-Celtic descent. Gordon Bennett, Retrieved August 24, 2014, from, http://www.ngv.vic.gov.au/gordonbennett/education/04.html. A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. Another quote in the Dick Hebdige essay I found I connected with was (Ed.). Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . material existence, even though we may be separated by cultural context, Mclean, I. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia To learn more about how to request items watch this short online video . Estimate: $40,000 - 50,000. Bennett has reinterpreted their statement as a comment on the government's lack of apology to the Stolen Generations. Code #:14841 LOCATION: Redfern NSW . Rattling Spears: A History of Indigenous Australian Art, 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV, Here's looking at: Blue poles by Jackson Pollock. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennett's global perspective. 'Unfinished Business: The Art of Gordon Bennett' celebrates the Queensland-based artist's globally recognised contribution to . Gordon Bennett, Notes to Basquiat: Facial Bones, 1999, acylic on canvas, 51 x 51 cm Courtesy Sherman Galleries, Sydney. "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. Gordon Bennett, "Notes to Basquiat: To Dance on a Tightrope," 1998. private collection, Brisbane. Its vintage Bennett: taking no prisoners, refusing not to be furious, making viewers confront racism in all its sly expressions. I guess it spoke to me of the traces of different experience and layers Queensland Art Gallery | Gallery of Modern Art. Gordon Bennett Australia 1955-2014 Notes to Basquiat (Jackson Pollock and His Other) 2001 Synthetic polymer paint on linen / 2 panels: 152 x 152 cm each, 152 x 304 cm (overall), Gordon Bennett Australia 1955-2014. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. I already knew Bennett was in dialogue with other artists and their distinct painterly idioms: Mondrian, Margaret Preston, Thomas Bock, Jean-Michel Basquiat and Jackson Pollock to name just a few. inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". See opening hours Gordon Bennett - Sutton Gallery Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. 38.0 x 53.5 cm . Synthetic polymer paint on paper We are developing and evolving the new Collection Online and would love to hear what you would like to see developed next by answering these questions after you've finished using the website. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. Art challenges and influences public opinion on conflict, yet more importantly it identifies injustices inherent to the cultural relationships and identities within a society. For example, expressionism features in the highly visceral Outsider (1988), which replays Van Goghs Starry Night. Georges Petitjean, Kitty Zijlmans and Ian McLean, Outsider/insider: the art of Gordon Bennett, Ghent, 2012, 50 (colour illus.). The, In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. Again echoing Benjamin, Bennett draws a direct link between civilisation and barbarism, or here Enlightenment and suicide. 102: GORDON BENNETT born 1955 Notes to Basquiat. I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? revealed. 1 / 1 - Notes to Basquiat - Big Shoes - 2002. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Get the best price for your artwork or collection. Selected new items on display in Main Reading Room. 120 x 80cm This citation of Basquiat's work acts for Bennett as a mode of communication with the American artist who died in 1988. Bennett died in 2014, aged 58. The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. Gordon Bennett - Art - LibGuides at Melbourne High School Notes to Basquiat, 1999 Synthetic polymer paint on linen . I was also aware of his concern with western systems of representation and their oppressive effects. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. 6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. Given that consistently expressed view, thinking about how his work addresses the cause of anti-racism is an apt prism through which to view the current exhibition. body to expose both pain and anguish and a common humanity. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. Estimate: $35,000 - $45,000. This task is the unfinished business referenced in the title of the show. That is not my intention, I have had my own experiences of being crowned in Australia, as an Urban Aboriginal artist - underscored as that title is by racism and primitivism - and I do not wear it well . An artist who builds houses and swings and cares a lot about community, A discussion with Amandla Stenberg, Mars and Lorna Simpson about the youth-led movement #ArtHoe and how it relates to Simpsons work, Bennett was born in Monto, Queensland, in 1955 to an indigenous Australian mother and an Anglo Celtic migrant father. Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking . Born in 1955 in Monto, Queensland, Bennett was unaware of his mother's . Read more: Gordon Bennett Australia 10 August 1955 - 3 June 2014 Notes to Basquiat (City) Please check your requests before visiting. The main reference for Notes to Basquiat (The Coming of the Light) is not Basquiat's imagery, but one of Bennett's early paintings, The Coming of the Light (1987). 1955) Notes to Basquiat: Female Pelvis signed, dated and inscribed 'G Bennett April 1999 NOTES TO BASQUIAT FEMALE PELVIS' (on the reverse) acrylic on cotton duck 50.5 x 50.5 cm. The Estate of Gordon Bennett, Collection: Queensland Art Gallery / Gallery of Modern Art. In Australia, he would be placed in dialogue with key postmodernist artists such as Imants Tillers, Tracey Moffatt, and Juan Davila. Sold for $98,182 (inc. BP) in Auction 65 - 10 November 2021, Melbourne. Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. I was excited to find in the essay "Welcome to the Terrordome: Jean But is this the tone Bennett actually adopts? . In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. This included abstract expressionism and a dot aesthetic inspired by the Papunya Tula art movement of the Australian Western Desert. Medium. Basquiat and Diaz used it as a tool for making social commentary with poetic statements throughout the urban environment. They often use the dots associated with Aboriginal Western Desert painting intertwined with western systems of realist depiction. Pollocks vibrant skeins of paint can be tracked across a range of works: a section of Blue Poles as a background image in Notes to Basquiat (Jackson Pollock and his Other) (2001). They reference the massacres of Aboriginal people in Myth of the Western man (White mans burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). Cultural Violence, Journal of Peace Research, vol.27 (3), 291-305. Copyright 20102023, The Conversation US, Inc. Est: AUD30 - AUD50. John Saxby (Editor), Look, 'The art that made me: Reg Mombassa', Sydney, Nov 2015, 13. author unknown. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia and painterly fields of your work and particularly to the layered lines Provenance. Possession Island 1991 Inscription. Gordon Bennett Possession Island (Abstraction) 1991 was purchased jointly by Tate and the Museum of Contemporary Art Australia with fund provided by the Qantas Foundation, 2016. time, space and death. These works, like Basquiat's, use images of the An Aboriginal man is inserted into the picture whose exploding head is turning into stars. Read more: . Galtung, J. (2014). Access more artwork lots and estimated & realized auction prices on MutualArt. Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning. Australian artist Gordon Bennett's exhibition, a powerful attack on systemic racism, is called Be Polite. Synthetic polymer paint on paper Learn more. Sold for $44,400 (inc. BP) in Auction 3 - 29 November 2007, Melbourne. signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. 152.3 182.7 cm. )Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. These large scale history paintings of the 1990s are perhaps his best known works. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Gordon Bennett: Be Polite - Galleries West Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. To learn more about Copies Direct watch this. Gordon Bennett, Notes to Basquiat (The Death of Irony), 2002, National Gallery of Australia, . signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. In 1995 Bennett began making work under the name 'John Citizen'. Apologies -- Australia -- Pictorial works. Synthetic polymer paint on paper within, the narratives of the past.". He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. Change), You are commenting using your Facebook account. Anchoring the composition is a confronting tortured skeletal figure . Levels 7-12. Notes to Basquiat - Big Shoes - Cooee Art This echo is surely intended as Butler claims that Bennett's last decade of work (post-Notes to Basquiat, [after 2002]) resorted 'to an easy irony' - a 'cynical postmodernism' - as if he 'may be running out of inspiration.' However, farce does have its [2] lessons and perhaps speaks more truthfully to our age. Synthetic polymer paint on paper Typically, this is the style of contemporary art associated with ideology critique, unveiling systems of discrimination and oppression like racism and sexism. Australian art: Storylines - National Gallery of Australia by Greg Tate which reads: "To be a race-identified race-refugee is to (LogOut/ Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia (2010). Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. In Abstraction (Native), from the Abstraction series of 20102013, Bennett imposes the face of Australian politician and social activist Peter Garrett (formerly the front man of Australian rock band, Midnight Oil) onto an abstracted human figure. GORDON BENNETT (b. Indeed, Bennetts extraordinary attention to visual languages, their meanings and implications, is the key revelation about his oeuvre I have taken away from the current exhibition. Gordon Bennett Notes to Basquiat: Australia Day Re-enactment, 1999 Acrylic on linen 182.5 x 182.5cm + Gordon Bennett Home dcor (Preston + de Stijl = Citizen) Panorama, 1997 Acrylic on canvas 182.7 x 365.3cm National Gallery of Victoria + Gordon Bennett Possession Island . (2014). Gordon Bennett | NGV c: 182 x 182cm; 182 x 425cm (overall) Purchased 2019 with funds from the Neilson Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation Special Collections Reading Room - Item/s may be unavailable, Brolgas at twilight, 1999 / Pamela Griffith, [Australian diaries and desk calendars 1999]. Griffith University provides funding as a member of The Conversation AU. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiat's own art. Home Decor (After M Preston) No 3 2010 2010 Synthetic polymer paint on linen / 182.5 x 152cm The Estate of Gordon Bennett. NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 - Deutscher and Hackett that make us the individuals we are and the histories of shared experience Three parts: a: 182 x 182cm; b: 182 x 61cm; The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. That is not my intention, I have had my own experiences of being crowned in Australia, as an 'Urban Aboriginal' artist underscored as that title is by racism and 'primitivism' - and I do not wear it well. The University of Queensland, Brisbane Acquired with the Assistance of the Visual Arts and Crafts Board of the Australia Council, 1989, The Estate of Gordon Bennett Collection: The University of Queensland. His three paintings titled. Preston, though well-meaning in her quest to create a truly national artistic style, produced works that corrupted sacred aboriginal motifs, and presented aboriginal people as little more than stylised caricatures of the noble savage.In addressing these notes, the paintings, to the departed American artist Jean-Michel Basquiat, Bennett expressed what he felt was histories of shared experience, an affinity felt through mutual exclusion from a euro-centric contemporary art world. Gift of The Hon. is inspired by the work of Jean-Michel Basquiat, the Haitian-American Notes to Basquiat - Big Shoes - 2002. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. 120 x 80cm Unfinished Business: The Art of Gordon Bennett - QAGOMA Blog Collection: The Estate of Gordon Bennett. Gordon Bennett explored indigenous past through his conceptual art, Retrieved August 24 2014, from, http://www.smh.com.au/comment/obituaries/gordon-bennett-explored-indigenous-past-through-his-conceptual-art-20140627-zsnql.htm. GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. Notes to Basquiat: Famous boomerang 1998 I think it seeks to go beyond the words on the paper into a world of metaphor, allegory, images and ideas in order to say something that may not be said with just words.3, 1. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. Impossible aims, such as this one, often underpin and drive the work of major artists; an achievable aim after all would be quickly satisfied. Bennetts painting Notes to Basquiat (2001) presents distinctly cultural conflict in contemporary Australian society. of different experience and layers that make us the individuals we are 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV. Gordon BennettPossession Island (Abstraction) 1991oil and acrylic on canvas182 x 182cmCollection: Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2016 The Estate of Gordon Bennett. )Israel, G., Senior Artwise 2: Visual Arts 11-12, Jacaranda Press, Milton, Queensland, 2003, (illus., front cover and p. 163)Murray Cree, L., Twenty: Sherman Galleries 1986-2006, Craftsman House / Thames and Hudson, Melbourne, 2006, p. 123 (illus. NOTES TO BASQUIAT: LIBERTY, 2000. synthetic polymer paint on linen. Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National Gordon Bennett: Illuminations or a season in hell | Artlink Magazine Closed Good Friday & Christmas day Unfinished Business: The Art of Gordon Bennett - Art Almanac we give to the different ways we are positioned by, and position ourselves Bennett conversed about his conceptual painting practice as 'based on the semiotics of style and paint application, images and text, historical and contemporary juxta-position'. Sutton Galleries, Melbourne . Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. cat., 2001, front cover View artist profile Add to wishlist. Look more closely, however, you can see paintings by the 'real' Bennett displayed on the walls. they undergo constant transformation. He did not discover his Aboriginal heritage until around age 11 and always resisted being pigeonholed as an Aboriginal artist. Others are held in regional, state and national collections (National Gallery of Australia, Queensland Art Gallery and Gallery of Modern Art, National Gallery of Victoria and the Art Gallery of New South Wales) as well as international collections including Wereldmuseum, Rotterdam.LUCIE REEVES-SMITH, Important Australian + International Fine Art, Gordon Bennett, managed by John Citizen Arts Pty Ltd. Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). What I had not realised is that he is also in an intense dialogue with himself and his earlier work. Conflict, Violence, Peace & Art: Notes to Basquiat (2001) by Gordon born 1955. Bloodlines 1993 Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. GORDON BENNETT (b. 1955) Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose.
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